ZUHUR´S DAUGHTERS

‍Feature Film


‍Lohan and Samar are teenagers and transgender. The sisters fled from Syria to Germany together with their family. They live in a refugee home with their mother Zuhur, father Talib, his second wife Shaharazad and nine younger siblings. In their new surroundings, they find themselves in a constant field of cultural tension. Their parents cling to the familiar structures from Syria and live their lives according to the Koran. 

‍Lohan and Samar, on the other hand, are torn between their Muslim community and the Western environment that allows them to express their true selves. Initially only in secret, the sisters dare to live out their female identity. The film accompanies them for three years on their forays as well as their transition and search for their own identity. ZUHUR’S DAUGHTERS brings us close to a special family that sticks together despite countless conflicts and hardships.


Documentary / Germany 2021 / 89 min
 

‍Language: arabic, kurdish, english, german
Subtitles: german, english


Written, Directed: Laurentia Genske, Robin Humboldt
Cinematography: Laurentia Genske, Robin Humboldt
Editing: Carina Mergens
Sound Design, Sound Mix: Robert Keilbar
Colour Grading: Felix Hüsken
Production: Daniela Dieterich, Florian-Malte Fimpel
Commissioning Editor: Katya Mader
Producers: Martin Roelly, Erik Winker, Ümit Uludag
Produced by CORSO Film, In Co-Production with ZDF / 3sat
Funded by: Film- und Medienstiftung NRW, Deutscher Filmförderfonds
Theatrical Distribution Company: Camino Filmverleih
World Sales: Goethe Institut


CINEMA RELEASE
04.11.2021
TV broadcasting 3sat: 07.11.2022 & 23.07.2024


‍Watch Online:
DOKOMOTIVE Plattform


‍Festivals / Awards

‍2025 - Goethe Institute Los Angeles
2024 - Cinema Queer Mexico, Festival de Cine
2024
- lit.Cologne
2023
- Orgullo Ciclo de Cine Europeo LGTBIQ+
2023
- Ciclo de Cinema Alemão
2023
- Queer Movie Nights at Trianon Cinema
2023 - Festival CineMA, Mexico
2023 - KinoFest, Greece
2023 - 26th Religion Today Film Festival, Italy
2023 - Queersicht Festival, Bern
2023 - 22. Deutsche Filmwoche Mexiko
2023 - TranScreen, Amsterdam
2023 - Queer Movie Nights Festival, Athens
2023 - Nomination CIVIS Media Prize
2023 - Muestra de Cine Int. Memoria Verdad Justicia
2022 - Dialogues Festival Kalkutta, Opening Film
2022 - Chennai International Queer Film Festival
2022 - Mezipatra Queer Film Festival, Prague
2022 - Das Filmfest, Prague, Brünn, Olmütz
2022 - DocsMX, Mexiko
2022 - Gender Borders Film Festival, Mailand
2022 - MakeDox, North Macedonia
2022 - EU Asia Documentary Festival
2022 - AMOR Festival Chile / Int. Featue Film Award
2022 - Shortlisted, Lola, Deutscher Filmpreis 
2022 - Nomination Deutscher Dokumentarfilmpreis
2022 - liberTÜ Documentary Film Festival
2022 - Media Festival Man in Danger, Poland
2021 - Queer Filmfest Tübingen
2021 - DOK.fest Munich / VIKTOR DOK.deutsch
2021 - OUTshine Film Festival, Fort Lauderdale
2021 - Porn Film Festival Berlin
2021 - Queergestreift Festival
2021 - Film Festival Cologne
2021 - RIDM Festival Quebec, Canada
2021 - Duisburger Filmwoche
2021 - Filmkunstmesse München
2021 - Kasseler Dokfest
2021 - Queer Filmfest Weiterstadt
2021 - 31. Lodz Pl Festival, Poland
2021 - Hotdocs, Toronto

LAURENTIA GENSKE 

  FILMS 

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Press Reviews

‍"Samar and Lohan long for the right life — the right life in the right body. The two sisters are trans. In their home country of Syria, this would have meant certain death. Talib and his wife Zuhur do not understand their children, but above all, they worry about them. All of this is shown by filmmakers Laurentia Genske and Robin Humboldt with great sensitivity. In the best sense, their film accompanies and documents the trans women's path toward the life they hope for — with all its obstacles and difficulties."
— From the Jury Statement, VIKTOR DOK.deutsch
 

‍"…Their award-winning film Am Kölnberg (2014) was already a long-term observation. And once again, Laurentia Genske and Robin Humboldt accompany their protagonists for a considerable stretch of time. New Year's Eves are celebrated, snowmen are built, outdoor pools are visited, beach holidays are taken with a first great love. The camera is present during conversations at the doctor's office and during operations in the hospital, yet it always maintains a respectful distance. As an audience, we can't help but root for them. And given the situation that has kept pulling us back into lockdown for quite some time now, one hardly wants to imagine what this forced isolation would do to these freedom-loving sisters. By the end of this film, they are barely recognizable to us — but they have finally arrived at themselves."
— Kino-Zeit
 

‍"…A sensitive statement for tolerance, oppressive and light-hearted at once."
— Süddeutsche Zeitung

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